Benutzerhandbuch Behringer Aufnahmegeräte Bs Y600 [1/2 Seiten]

Behringer Aufnahmegeräte BS Y600

BASS SYNTHESIZER BSY600

Ultimate Bass Synthesizer Eects Pedal

Thank you for showing your condence in us by purchasing the BEHRINGER BASS SYNTHESIZER BSY600.

This high-quality eects pedal reproduces the fat and powerful sound of classic analog synthesizers—

at the touch of a footswitch.

1. Controls

(1) The DIRECT control adjusts the level of the

direct, unaected signal.

(2) The EFFECT control adjusts the level of the

synthesizer eect signal.

(3) The RES(onance) control adjusts the

strength of the low-pass lter frequency

peak (see below).

(4) The FREQ(uency) control adjusts the

low-pass/allpass lter frequency which

cuts the high-frequencies and therefore

determines the upper and lower limit of the

frequency range the lter moves along.

(5) The DECAY/RATE control has 2 dierent

functions. Depending on the MODE switch

position (see below) it adjusts either the

LFO speed that modulates the amplitude

of the lter frequency (RATE: mode 3 and

6 only) or sets the time over which the lter

frequency moves (DECAY). When the decay time is set to MAX, the cut-o lter frequency is xed.

(6) Use the MODE switch to dial up one of 11 synthesizer modes with 4 dierent waveforms.

1. SAW (sawtooth wave that produces sharp-edged sound)

2. SAW (sawtooth wave one octave lower than mode 1)

3. SAW (sawtooth wave with automatic lter frequency shifting)

4. SQUARE (square wave that produces milder sound than the sawtooth modes)

5. SQUARE (similar to mode 4 with additional square wave one octave below)

6. SQUARE (square wave with automatic lter frequency shifting)

7. PULSE (pulse wave that produces sharp-edged sound dierent from sawtooth modes)

8. PULSE (pulse wave with all-pass lter for more depth and motion)

9. PULSE (pulse wave with pulse width modulation for fat, spre ading sound)

10. WAVE (input signal is directly transformed to a synthesizer sound. Filter rises when string is

played and returns gradually)

11. WAVE (similar to mode 10, but lter drops when string is played and returns gradually)

(7) The ON/BATT LED illuminates when the eect is activated and ashes when the PITCH HOLD

function is active (see below). It also serves as a battery level indicator.

(8) Use the footswitch to activate/deactivate the eect. Keeping the footswitch depressed will

activate the PITCH HOLD function (modes 1 - 9 only) that causes the unit to output the eect

signal continuously, even if the bass is not played at this moment (ON/BATT LED ashes). You can

also play the bass while keeping the footswitch pressed and mix the continuously output eect

signal with the direct bass signal. Release the footswitch to deactivate this function.

(9) Use this ¼" TS IN connector to plug in the instrument cable.

(10) The two ¼" TS OUT and DIR OUT connectors send the signal to your amp. Use both connectors if

you want to separate the unprocessed input signal (> DIR OUT) and the synthesized signal (> OUT).

To mix both signals together use OUT only.

(1)

(2)

(7)

(9)

(11)

(6)

(8)

(5)

(4)

(3)

(10)

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